Thursday, August 20, 2009

A Week of Goodbyes


Hello all,

Today is Thursday, and I depart Philly-bound on Monday.  This is technically my first move in sixteen years.  Shopping is done, and plans and hypotheticals are no longer helpful - the mundane aspects of packing and moving are well underway (towels are currently in the wash). 

Yesterday was Muffin Day - four childhood friends and I spent the day making muffins and eating nothing but muffins.  Wreaked some minor havoc on the digestive tract, but as good a "going away party" as any.  This morning, I said goodbye to the home-schooling group where I spent a lot of my early childhood - later today, I'll be seeing a few close friends from last year's summer theatre for the last time before school starts.

There are a good few things I'll miss about home - I have a few good friends I'll miss seeing.  I'll miss the theatre community around here.  I think it'll just be weird having to adjust to a new everything.  But I'm more excited than scared or sad, really.  I'm looking forward to everything college and quasi-adult life has to offer me.  I'm feeling focused and ready to make something of myself.  I hope this lasts beyond orientation!


Or, my new home. =)

Until next time,

Ana

Wednesday, August 12, 2009

The Hammer of God: A Haphazard Tribute


Hello all,

In an earlier post, I alluded to the fact that I do occasionally venture out of the world of humanities and into the world of sports; specifically, the world of the New York Yankees.  This is not a "sports" blog, therefore, it's not my job to do a game-by-game recap, and I don't know enough about trends and statistics to write anything truly insightful about a numbers game.

However, last night, I was watching a game against the Toronto Blue Jays, a game in which the Yankees rallied in the 8th inning for a 7-5 win.  The game in general was rather unremarkable, but for one event: in the 9th inning, Mariano Rivera surrendered a 1-out solo home run to Edwin Encarnacion.   It was the first run of any sort given up by Rivera in nearly two months (since June 12), and the first home run since April 24. 


The fact that Encarnacion's home run was remarkable at all brings me to the meat of this entry.  Rivera has been pitching the 9th inning for the Yankees since 1997, and many call him the best relief pitcher in baseball history.  Statistically, that's a fair assessment: to date, Rivera has recorded 515 regular-season saves and a career ERA of 2.27.   In eight seasons he has recorded an ERA of below 2.00, and on two occasions has saved more than 50 games in a season.  He has saved 34 career postseason games, has four World Series rings to his name and has played on six pennant-winning teams.  In a word, "dominant" describes his career.

There is a difference, however, between dominance and art.  Even in baseball, one can recognize art.  A good player, even a great one or a legendary one, is not necessarily an artist.  I have watched Mariano Rivera pitch since I was a very, very small child, and he has never struck me as anything less than a master craftsman.  He throws, for the most part, one pitch -- a cut-fastball, usually located with impeccable precision.  On the mound, he exudes calm confidence and austerity.  He exhibits none of the snarling, fist-pumping, adrenaline-driven emotional response so often seen by successful pitchers, especially those who make careers out of pitching the 9th inning.  

I feel, when I'm watching Rivera, almost like I've stumbled upon a painter in a studio, as opposed to an athlete in front of 50 thousand spectators.  The game stops - because you know it's almost certainly over, anyway - and you just watch him.  The same pitch... break a bat on the inside corner, freeze the hitter over the outside ... however he wants, wherever he wants, over and over with the same result.  When, like last night, something goes wrong (or, on the rare occasion, something goes terribly wrong and a blown save results), it's not "a part of the game."  It's remarkable.

Perhaps this level of high praise for an athlete means I take it all too seriously... I have been a Yankees fan since I was four years old, and taking it all too seriously is something I'm willing to risk.  And, besides, in the history of any sport, there are very few athletes like Mariano Rivera.  I feel lucky to have seen him play, and to have been able to spend my childhood rooting for him.  "Mo," "Sandman," "The Hammer of God" ... I find him more than worthy of this modest tribute.

In a more concrete sort of news, another New York win today, 4-3 in 11 innings over the Blue Jays.  A 5 1/2 game lead over Boston in the AL East - looks like another trip to the playoffs!  I can't wait.

Until next time,

Ana

Monday, August 10, 2009

A Streetcar Named Desire (or: Ana goes to Pittsfield) (or: Ana learns to stagedoor)


Hello all,

I took my friend Robin and my older brother and went adventuring today.  I went way out to Western Mass. to take in a showing of "A Streetcar Named Desire" at Barrington Stage Company.  Starring as Blanche DuBois was Tony-nominated Broadway actress Marin Mazzie -- "Mother" in the original Broadway cast of Ragtime, "Lilli Vanessi" in the Broadway revival ofKiss Me, Kate, among other things.  When I heard that she'd be playing Blanche in my current state of residence, I absolutely couldn't miss it.

So off we went, the three of us, stopping for tacos in Amherst on the way.  We got to the theatre after about 2 1/2 hours on the road -- it was a lovely little theatre, quite intimate, we had fantastic seats, eighth-row orchestra level.  But you don't really care about my seats, do you?

The show itself was absolutely incredible.  Christopher Innvar was magnetically repulsive, if you'll excuse the oxymoron, as Stanley Kowalski - I mean that as high praise for a man in a powerhouse role that completely lacks any semblance of refinement.    Kim Stauffer's Stella was adorable, with a childlike stability which seemed to both explain her abuse at Stanley's hands and explain how she managed to remain so loyal to those she loved in spite of her situation.   Also outstanding were Kevin Carolan as Mitch, Jennifer Regan as Eunice, and Chavez Ravine as the blues singer, whose between-scene interludes garnered heavy applause at every turn.

Marin, of course, was divine.  From the moment she stepped onstage, she commanded every ounce of the audience's attention.  Every nuance of Tennessee Williams' fallen heroine was played to a tee - the vanity, the devotion to Stella, the desperation, every aspect of her mental breakdown was believable and justified by impeccable acting choices.  It was as moving a performance as I have ever witnessed (although I do not claim to have seen a large breadth of live professional theatre).

Now for the fun stuff:  Robin and I decided to "stage-door" after the show.  It took us a while to find the stage-door, but we did eventually.  Anyway ... earlier in the day, when we had first gotten on line to collect our tickets, I thought I recognized Jason Danieley (of Broadway's Candide and Curtains; also Marin Mazzie's husband) standing behind us.  I wasn't sure, however, so I didn't say anything until I was at the stage-door and, again, found myself standing next to him.
"I think I recognize you," said I.
"Yeah, I'm Jason," he replied.
"Joe Cable, South Pacific at Carnegie Hall?"  (P.S., Robin calls this one of my most "dorktastic" moments.)
"You got it," said he.  "...I'm related to Marin."
It was, indeed, Jason Danieley, who played Joe Cable at the Carnegie Hall concert of South Pacific.

The subsequent stage-door episode could be entitled, "In Which Ana Realizes She Does Not Know How To Talk To Celebrities."
Marin was the last one out.  She had some friends (along with Jason) at the stage-door as well, so I hung back a bit.  She saw me waiting after a while and came over ... at which point I became completely star-struck, and lost most of my train of thought. 
"*stammer* Uh, Ms. Mazzie ... I'm so thrilled to finally be seeing you live ... uh, I'm such a huge fan of your work... AHH..."
Fortunately, Marin was very nice... she thanked me for coming, asked where I was from, signed my program, and even took a picture with me (although the picture was deleted by my flaky camera-phone [it was terribly blurry in the first place, so no great loss was recorded]).   Although I epic-failed at being smooth of tongue, the experience was pretty freakin' awesome, for lack of a better phrase.

The trip home was late, but rather enjoyable.  Rocking out to the Jackson 5 keeps anyone awake.  Caught the last few innings of Yankees/Red Sox play on the radio.  May write more about the 4-game sweep and 6 1/2 game AL East lead at some other point.  

Until next time,

Ana

Saturday, August 8, 2009

Greetings and Salutations


Hello there!

This is, I suppose, my initial foray into the blogosphere, so I'll try to keep it succinct.   People call me Ana; I'm 18 years old; in a matter of weeks I'm taking off nearly 300 miles south to embark on the great adventure known as "college."  This corner of the internet is for musings on the events of my life -- whether or not that could be interesting depends entirely on the day and the reader.

A bit about me:
  • One of my two primary extracurriculars is theatre; musical theatre, specifically. My last show was Guys and Dolls, in which I played the role of the missionary Sarah Brown -- my next audition is, hopefully, for a college production of My Fair Lady.
  • I've also played the flute for about 6 years. 
  • Despite my lifelong New England locale, I'm a die-hard New York Yankees fan (which, I'm sure, will be relevant to some percentage of my posts).  It's how I was raised.
  • I've never lived outside a small town, but I have some big-city tastes; therefore, the idea of going to school in a small town directly proximate to the great big city of Philadelphia is somewhat intoxicating.
This blog is intended to be full of fresh new experiences and the joy of a quasi-adult.  Or perhaps not.  Only time will tell.

Until next time,

Ana